About Michael Teoli
Michael Teoli is a versatile, award-winning LA-based composer who brings his talents to a wide range of mediums, including film and theater. A graduate of Berklee College of Music in Boston, Michael got his start working on Howard Shore's music team for The Lord of The Rings: Return of the King. Since then, he has scored/contributed to the music of over 70 films, with his score for the feature 41 winning Best Original Soundtrack at The Director's Chair Film Festival in Staten Island, NY. Among his notable film works are the Tubi Original family holiday adventure Family Ornaments, the Dark Sky Films slasher KillHer, and most recently Love, Danielle (starring Barry Bostwick and Lesley Ann Warren), a comedy-drama about a woman’s decision to undergo preventive surgery to reduce her cancer risk.
Michael has composed the music for several full-length musicals, including Tonya & Nancy: The Rock Opera, which has played to acclaim around the country and enjoyed a sold-out run at the New York Musical Theater Festival (NYMF) at an off-Broadway venue. The live album Tonya & Nancy (Highlights from the Rock Opera): Live at Feinstein's/54 Below was released by Broadway Records, with Michael co-producing, music directing, and even performing as Shawn Eckardt.
His theater work extends to numerous plays, such as West Adams (by Penelope Lowder), Hearts Like Fists (by Adam Szymkowicz), and Absolutely Filthy (by Ted Lasso’s Brendan Hunt), which won Top of Fringe at both the New York and Hollywood Fringe Festivals. Another favorite was creating the score to the 40th Anniversary Revival of Stuart Gordon's adaptation of the Kurt Vonnegut, Jr. novel The Sirens of Titan (directed by Ben Rock).
In addition to his film and theater work, Michael has created music for corporate videos and jingles for clients like Adobe, American Tax Solution, The Hub, RE/MEDIA, Wonderful, and RGP. His diverse portfolio also includes creating music for Rihanna’s FENTY brand, scoring and composing the theme for Shudder’s Video Palace, and crafting music for The Venardos Circus.
Film Music
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Fantasy, Epic, Orchestral, Tribal, Romantic, Powerful
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Dixieland Circus
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Orchestral and retro synth horror.
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Trip-hop, Jazz, Modern Film Noir
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Family Fantasy Adventure - Comedy/Drama/Mystery
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Dramatic Action Orchestral
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Joyous, Spiritual, Powerful
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Fun, Eclectic acoustic/electro fusion
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Retro Horror Theme to Shudder Podcast
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Latin/Nylon Guitar Feel
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Holiday Family Adventure/Fantasy - Suite Featuring several themes
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Orchestral, Motivational Military
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This piece from the horror film, KillHer spans many feels and emotions as it scores the film’s finale.
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Epic Orchestral
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Action Orchestral
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Comedy, Metropolitan
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Circus Extravaganza
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Chill meets Metal
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Tender, Majestic, Heavy
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Horror
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Mysterious, Somber
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Mysterious, Somber, Soothing
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Traditional Japanese
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Up-tempo Feel Good Jazz
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Creepy Holiday Mystery - Orchestral Hybrid
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Film Noir, Jazz
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Romantic, Peaceful, Majestic
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Quirky, Fun, Light
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Heroic, Orchestral, Majestic
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Haunting, Somber, Tender
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Inspired by 1970's Horror
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Comedy, Sneaky, Animation
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Traditional Maori/New Zealand Music
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Retro synth, orchestra and choral horror.
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Chill Hybrid Score
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The title says it all...
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Early Up Tempo Jazz - Comedy
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Superhero, Adventure, Action, SciFi
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Upbeat, Majestic
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Southern Rock/Country Instrumental Ballad
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Somber, Passionate
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Majestic, Whimsical, Somber
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Romantic, Majestic, Orchestral
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Ominous, Majestic
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Tender, Soothing, Somber
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Tender, Passionate, Somber
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1950's Propaganda Spoof
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Michael Teoli
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Atmospheric, Dobro, Southern, Country
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Pedal Steel, southern source music
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"Vibe A-like"
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Gypsy Jazz Influenced
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Instrumental Rock
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Holiday Family - Happy/Heartstrings
trailers & Video: Film
Theatre Music
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Lauren Worsham, Ashley Spencer & Ensemble - Tonya & Nancy: The Rock Opera
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Ashley Spencer & Lauren Worsham - Tonya & Nancy: The Rock Opera
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Lauren Worsham & Ensemble
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Company
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Tonya & Nancy: The Rock Opera
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Tonya & Nancy: The Rock Opera
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CarnEvil - Jeff Sumner, Vocals
Trailers & Videos: Musical Theatre/Circus
COrporate & Branded Content
Music is more than background — it’s identity.
In corporate films, branded campaigns, podcasts, and advertising, music shapes how an audience feels about a product long before they process the message itself. The right score or song builds trust, momentum, clarity, and emotional connection. It transforms information into impact.
Accessibility tip: Aim for a contrast ratio of at least 4.5:1 for normal text. If you reduce opacity, check the contrast between the text color and the visible background andI compose original music tailored to each project’s voice, audience, and objectives. Whether scoring an internal corporate film, a brand launch, a podcast theme, or a national campaign, the goal is always the same: music that feels intentional, memorable, and unmistakably aligned with the brand.
When a melody becomes associated with a product or company, it creates recognition that lasts far beyond a single viewing. A strong theme lingers in the mind, strengthening brand recall each time it’s heard — or even remembered.
While stock libraries and AI tools can provide quick solutions, custom scoring offers something fundamentally different: music shaped around your pacing, your edit, your emotional arc, and your identity as a brand. It isn’t selected from a catalog or generated from a prompt — it’s crafted to serve the story and elevate the experience.
Selected clients and collaborators include Fenty, Adobe, The Wonderful Company, The Venardos Circus, Skylight Theatre Company, American Tax Solution, RE/MEDIA, RGP, and The Hub.
Film Projects
Theatre Projects
Television. Web. Other















































